The author says:

I’m resubmitting this! 2 different colors because one of the commenters suggested pink instead of blue, and then when I tried it, I liked it. So, you can put up the one you prefer or both if you want to. I really appreciate all the feedback I received before. I also changed the byline on the cover (this is a different sub-genre for me). I bought the photo from a good stock photo place—I hope the resolution is better. The other photo was just a screenshot while I was choosing what pic to use. I made the cover on Adobe Spark.

TO CATCH A BRIDE is a contemporary romance set in the high-society world of Santa Barbara. The series is called Santa Barbara Billionaire Bachelors, and the target audience is women of all ages who read contemporary romance. It would appeal to the readers of Bella Andre.

[original submission and comments here]

Nathan says:

For reasons that I can’t articulate, I like the current flipped direction of the photo better.

I’m divided on whether the blue or the pink works better.  The blue “Bride” is certainly easier to read than its pink counterpart.  But I think my substantive comments apply equally to both:

• The ever-so-slight lighter bar behind “Bride” serves no purpose. Lose it.
• The same with the “…it’s now or never” tagline.
• While all of the non-cursive type elements appear to be variations on a single font family, in “Santa Barbara Billionaire Bachelors” it seems particularly banal. Is there maybe a “narrow” variation of that font that you could use instead?

I’ll let the factions on the blue/pink question form… NOW.

The author says:

This is a nonfiction religious instructional book. The target audience is Christian women. The idea is to use 7 Principles to get past cultural stereotypes for women and find out what it really means to be feminine, as well as to explore who God has created women to be, and what He wants them to do. It is designed to create a framework for any Christian woman to know how to please God with her womanhood – even if she doesn’t fit the stereotypes. Similar books include “Recovering Biblical Manhood and Womanhood” “Eve in Exile” “Set Apart Femininity” “Radical Womanhood” “Biblical Portrait of Womanhood” “Girl Defined” and “Redeeming the Feminine Soul”

Nathan says:

I think you could learn more from the covers for the books you cite.  On your cover, the woman shown is more than a little goofy-looking, giving an impression of humor, and the type treatment is bland.  (Type should do more than just render the text readably, although it should definitely do that; it should also add to the information presented by the cover. Unfortunately, yours only conveys, “I didn’t really know what to do with the text, so…”)

Let’s look at the books you reference:

With the exception of Recovering Biblical Manhood & Womanhood, which has a fairly academic vibe to it (and a little bit of the same with Biblical Portrait of Womanhood), the rest have a feel of “light but not humorous” and “gently feminine.”

The lesson I’d take from the examples, then, is to find an image which conveys “femininity,” and use a type treatment which is neither overbearing nor humorous — most of the fonts used above are quite literally light, not bold.

Other comments?

The author says:

This is the diary of twelve-year-old Sean Campden–Middle School Kid. If you’re a fan of Wimpy kids, Dorky kids, Middle School jokers or laughter, then you’ll love this edition of Any Kid USA, Telling Stories and Naming Names. There’s never a dull moment when you’re Sean Campden. Especially, when you have to deal with killer bunny rabbits, a drone that picks kids up right off the ground, The half-man, half turtle guy, and the wildest school bus ride ever. But when he wants a bicycle for his birthday and gets a different bike, he sets out to find out why. His Mom has a reason for buying him a different bike, and soon he’ll find out what it is. You can find out the reason for yourself when you read this entertaining, and humorous edition of Any Kid USA.

Nathan says:

I think you’ve got it aimed right — it definitely has the vibe for the “Wimpy Kid” demographic.

However, there are several typography tweaks needed:

• The separation of “Telling Stories” and “Naming Names” (not just separated by space, but by different colors and typefaces) makes it hard to read as a single phrase. “Telling Stories” is especially a problem, as the thin letters and the similarity between the red of the type and the orange-brown of the background makes it hard to read at anything less than full size.
• Relegating the author and artists bylines to a corner, in a type size scarcely larger than the background type, just makes it that much harder to notice.

Other comments?

The author says:

A polite and soft-spoken pedophile discovers that every time he dies, he will awaken at any previous point in his life he happens to be recalling at the time, from several months before he was born on up to a few moments before his latest death. Finding himself seemingly freed from the consequences of his actions by this strange form of immortality, he uses it to indulge all of his worst impulses. However, that he’ll never go to Hell doesn’t mean Hell can’t come to him; for having to live with the evil desires of a desperately wicked heart for all eternity can be a most infernal consequence unto itself.

Working from suggestions you posted in response to my previous submission, I’ve thrown together these two silhouettes symbolically portraying the villainous protagonist’s perversity and his soul’s distress at being entrapped therein. Thanks to everyone again for your excellent suggestions, and in advance for any further improvements you may recommend.

[original submission and comments here]

Nathan says:

Don’t take this the wrong way, but there’s an artlessness here that I don’t think any amount of advice from us will correct.  I’m just not seeing the instinct or experience to know what imagery or combination thereof works.

That’s not a comment on your intelligence, your skill as a writer, or your worth as a person.  The writers also can design; some can’t. Some designers can write; some can’t. The most important trait for a self-publisher isn’t design chops, it’s realistic self-assessment, to know that some things need to be outsourced.

I think the best option here is to work with a designer to come up with a cover which can advertise and promote the book in such a way that the likely target audience will want to look closer.

The author says:

TWO THOUSAND LEAGUES AS THE SEABIRD is a literaryish fantasy novel set in an Central-Asian inspired world. It is the memoir of Khatan, an aging mercenary, as he attempts to navigate his own past and revisit the mistakes that have brought him to ruin, along two mirrored military campaigns. It’s very character/relationship focused, with the warfare and politics sort of fading in the background. I’m still a ways out from publishing and I’ve never designed anything like this before, so any feedback is greatly appreciated. Cheers!

Here’s the blurb in case you want to crop to just the front cover:

Khatan searches for healing in a life already lived. He has been kinslayer, exile, mercenary, slave. Through steppe and snow, two distant empires: one ascendant, another waking from its long night. Both have designs on the White City where their fates will be decided. Khatan has been there: he has ridden beneath both banners; for that, he is called now to recount, remember. But memory is fickle, moreso when it is sung: a record of wars long won becomes one of loves lost; of pain, and the limits of redemption.

Nathan says:

My frequent quip is that the covers to “literary” novels try hard not to look like they’re about anything in particular.  This cover succeed in that, as it really doesn’t give any indication of content, nor use any specific element to attract attention.

Your bigger problem, though, is with the “literaryish fantasy.”  What you’ve described may be well written and character-driven, but it’s a fantasy novel — full stop. By that I mean that you’re going to have a lot better luck marketing it to readers of fantasy novels than readers of “literary” novels.  And that means that you have to put image elements on the cover that are going to appeal to the readers who would want to read your book.

As always, my best advice is to find other books that you would expect to appeal to the same readers or be mentioned in the same breath as yours, then see how those books signal their appeal to readers.

(Side note: The usual convention in the English-speaking world is to have text on the spine rotated clockwise, not counter-clockwise.)

Other comments?