First Mystery of the Time Vandal

The author says:

Dr. Elijah Snow wanted to record history, not become a part of it. But after stealing the T714 time-displacement craft from his US Air Force benefactors, he quickly found out that witnessing an event without participating in it was easier than it sounded. Accompanied by his quirky A.I ‘Fuzzy’, Dr. Snow sets out to document many of the major historical occurrences which had always intrigued him. From the Mongol Invasion to the crowning of the Danish king Harald Bluetooth, Elijah does his best to record without getting involved. But invariably he ends up becoming embroiled, time and time again, in these events, never failing to leave his footprint on the pages of history.

coverforweb

coverforweb

Nathan says:

I sometimes have “opposite” days where I think I have a good design concept, and yet everything I do to make it better instead makes it worse, until the only thing left for me to do is scrap it.  This cover reminds me of my output on those days: there may have been a good starting point (“good” meaning “something that caught your imagination”), but a succession of decisions that didn’t seem bad at the time bury it.

From your description, I’m envisioning a novel of obviously wide scope, colorful adventure, and more than a little humor. Unfortunately, I don’t get any of that from your cover.  The only indication of adventure or thrills is the silhouette of the running man, and he’s not central enough to draw the eye, nor specific enough to convey anything.  After reading your description, I can recognize the clock face as meant to convey the time travel element, but clock faces are also used to convey “ticking clock” tension in contemporary thrillers.  The buildings, likewise, are modern, as is the stolid typeface; there’s absolutely nothing here to clue the reader in on the genre, tone, or scope of the novel.

And the color scheme… waaay to murky to draw the eye.

This is a link to the current bestsellers in the Time Travel subgenre on Amazon. (You can refine the sub-subgenre further to Horror,  Humor,  Mystery,  Non-Romantic,  Romantic,  Thriller — and the fact that they have “Non-Romantic” as a specific sub-subgenre fills me with despair for my species.)  Ignore the covers from books by Stephen King and Douglas Adams, since the most important element of those covers is the author’s name.  The rest? These are your comrades, and your competition.  This is how readers of time travel novels expect their novels to look; this is what they look for.  Could your cover attract the positive attention of someone who just read one of these books and wants more?

My advice, cruel as it may seem, is to scrap what you’ve got and start over.  Start with a color scheme, or maybe with a font — those are the things a reader will see first, and they have to be interesting enough that they’ll take a second look.  Build from there.

If that’s beyond your skill set, seeking help from a reasonably-priced professional is your best bet.

Anything feel differently?

Still Life

The author says:

A short story about the end of the world, told through the eyes of an eleven year old little girl, hiding inside her parents pet shop.

stillife-cc

stillife-cc

Nathan says:

It never pays to spend an inordinate amount of time or money on a short-story cover, so if any suggestions here seem extravagant to a modest budget, cut back where necessary.

That said, it’s a great cover, but I’m not so sure it works for the story you describe, for one reason: the eye. I think that if the viewpoint character is a little girl, then the eye central on the cover should be that of a little girl.

Other than that, I’ve got the minor tweaks that are one designer’s preference over another, but they don’t impact the design in any major way. Anyone else got a major issue?

Gabby

The author says:

When Bo, a grieving widower, meets Gabby, he’s struck by her beauty, grace and laughter that wash over him like the sweetest song in heaven. Gabby is unlike any angel ever dreamed of—evil has no strength against her and the dark one and his minions are no match for this warrior of God.

What if You Knew Your True Love Was Meant for a Higher Calling?

Bo is a widower, trying to raise two kids by himself. His life is changed forever when he meets an angel in a black dress and a pair of killer stilettos. Little does Bo know at first that his new love, Gabby, doesn’t just look like she’s from heaven, she is God’s messenger. Gabby isn’t just a pretty face. She can also be an avenging angel, striking down anyone trying to block God’ plans. But, when the biggest obstacle to Gabby’s mission surfaces things get dangerous and complicated fast. As Bo and Gabby race forward on a crucial mission, Bo learns the healing power of love, but also becomes more attached to Gabby. She is everything he has always been looking for. Will Bo’s determination to get what he wants ruin not only his future, but also all of mankind’s? This story of peace, love, and hope will show every loss has a purpose and that no sorrow is forever.

Gabby Cover

 

Gabby Cover

Nathan says:

It’s a very pleasant image. That said, I’m getting more than a little bit of “suspense thriller” vibe from your description that I don’t see reflected in the cover.  Would a cover with more contrast help convey that?  Maybe not quite so broad a smile on her face? I dunno, because I can’t really tell how much of the appeal of the book comes from the suspenseful part.

The only technical issues I have are:

1) The selection edge on the top of her hair is too distinct; blurring that out will keep it from calling attention to itself.

2) The title looks fine at full size, but fades out for the thumbnail. That might solve itself if you use more contrast in the art behind it.

3) I have bad reactions whenever two different script fonts are used together.  In this case, I’d say to keep the ornate font for the title, and change the byline into something non-italic.

I have to admit, I’m not really the target audience for this kind of book, so I’ll have to supplicate other input even more than usual.

A change in policy regarding resubmits.

With the volume of first-time covers submitted currently, I want to decrease the number of resubmit posts to prevent a backlog.  Accordingly, a new policy: unless your resubmitted cover is a completely reworked and re-imagined cover, please post successive “tweaked” version of your cover in the comments to the original post.  I’ve edited the HTML hints below the comment box so that the image tag appears.  To repost your cover, please:

  1. Upload it somewhere on the web (your own website or blog, or a free host like postimage.org or imgur.com).
  2. Post it using the HTML tag like this:

    <img src="https://www.whereveryourimageislocated.com/yourbookcover.jpg">

Onward and upward!

The Eight Lives of Harvey Bradshaw

The author says:

Synopsis- Harvey El Bradshaw insists that his life is fragmented, defined by eight places, eight different times, eight, eight, eight. He feels like he is always becoming a new person as he grows older, almost like a snake consistently shedding its skin. To contrast the divided way he sees things, Harvey meets a small Spanish girl again and again over the years (her appearance almost always being a constant). Her name is Lucia Pérez. This book captures the life of Harvey and is split into eight main parts. Play on numerology to almost parody how much humans look for patterns in life. I am not the author, but I did design the cover. The genre is something like a combination of phycological journey/satire. The target audience would likely be young-mid adults (think 20s and 30s.) I tried to capture both genres through the cover, as well as make the “eight” very prominent. I worked off the idea of Harvey feeling like he was constanty becoming a different person, hence the faceless suit to represent a unknown identity (if that makes any sense). Thank you for your time and critique, I really appreciate it!

the eight lives of harvey bradshaw medium

the eight lives of harvey bradshaw medium

Nathan says:

I have absolutely no complaints about the general design. I think it’s distinctive, simple, intriguing, and appealing to the “intelligent lit” crowd.

My only advice would be on execution. The edges of the hat and suit (especially the hat) are hard enough that I can see exactly how and where you used the lasso tool.  That’s easily solved with a bit of feathering.

Also, I’m not thrilled with how you treated the byline.  At thumbnail size, it’s easy to be unaware of it completely; in full size, it still seems strangely shrunk and subdued.  I’d increase its size so that it stretches at least 80% of the width of the cover, and maybe add a blurred drop shadow to help it stand out more.  (I’m also not thrilled with “A. Fountain” as a byline either — it could easily be mistaken for a description of some sort. If this is your first novel and you don’t already have a following under that byline, I’d strongly suggest using a full name instead of a single initial so that your name looks more like a name.)

Other comments?