Category: Covers

High and Low

The author says:

Hi, I am the author of this book. This is not ready for publishing cover, but the design is (hopefully) complete.

About the book: This is a non-fiction memoir about a 600 mile hike whilst coming to terms with depression. The hike took place in 2015 in Scotland. Target audience both male and female, ages between 20 to 60, those who enjoy outdoor adventures, and those seeking help with depression.

Nathan says:

I don’t really have any complaints as far as the technical aspects; a thin gray border would keep the white of the cover from bleeding continuously onto the webpage background, and I’m not a fan of the mottled toning around the figure, but neither of those is a big concern.

The bigger problem is the mood — something about the whole layout and color scheme leans more toward “comedy” than “depression memoir.”  Obviously, since that’s a photograph of you at the time, you’re hampered in how much you can switch it around; my instinct would be to have a figure seen from the back, with a Scottish landscape in front of him fading into muted tones, and the words showing up white.

But maybe there’s more wry humor in here than you let on.  Or maybe the other commenters will have opinions at odds with mine.

(When I read your description, I turned to my wife and said, “I’m not sure that Scotland is what I’d hike across to battle depression, unless I was trying to replace it with poignant melancholy.”)

Other opinions?

Venia Online

The author says:

It’s in the Cyberpunk/ LitRPG genre, the setting is in the medieval times. Already published, but something feels missing.

Full Summary: What would you do if you woke up in a strange world which has three moons? What if you had no memory of how you got there? And what would you do, upon realizing that you are in a world manifests itself to you in the form of a videogame? The World of Venia promises action, adventure, mystery, intrigue, and danger at every turn. With the Dread King rising, the knights tired of fighting, the rogues resorting to kidnapping, and the mages rapidly declining, it is up to a modern day young man to navigate through this mad world of magic and beasts and deception – whether he wants to or not.

Nathan says:

I will admit, the LitRPG genre bewilders me — but apparently I’m not alone, as the story you describe sounds in all particulars like straight-up fantasy, with nary a whiff of the cyberpunk you cite.

My comments assume that the fantasy setting you describe really is the main flavor of the book; if the cyberpunk elements are stronger than they appear from your description, I disclaim what comes after.

We’ve seen several “here’s a weapon” fantasy covers at LousyBookCovers.com, but their problem lies not in the weapon itself, but that the presentation is so boring.  You, at least, have a weapon integrated into the background, and not just at a straight-up-and-down angle. The problem is that the image doesn’t “pop” — there’s not much contrast; everything is overwhelmingly gray.

How about put the sword hilt against a background of rich maroon velvet or brocaded cloth? For a bonus, I’d put spatters of blood or grime across the cloth toward the bottom.  The final result with have more color and more dynamic contrast to help it grab the eye of the Amazon shopper.

Other comments?

Stax Encyclopedia

The author says:

A non faction book that is something of a companion volume to The Motown Encyclopedia, this book contains 650 entries connected to Stax Records. These range from the label imprints (Stax, Volt, Enterprise, Hip etc), the artists (Isaac Hayes, Otis Redding, Staple Singers, William Bell etc), key musicians (Steve Cropper, Booker T Jones, Wayne Jackson), executives (Al Bell, Jim Stewart) and background stories to every record to have reached at least the Top 20 of the R&B chart. The cover attached is pretty much the finished thing.

Nathan says:

I have a technical comment, and a genre-specific comment:

Technical: The letters of “Encyclopedia” need to lean slightly to the left so that the upright strokes are parallel to the vertical gridlines on the marquee.

Genre-specific: Readers expect a non-fiction book to have more explanation on the cover, telling them exactly what the book is about.  You have that wonderful open space above the marquee that’s just begging for something like “The Definitive 40-Year Story of the Legendary Label That Brought Us Isaac Hayes, Otis Redding, and the Staple Singers.”

Other comments?

Waiting in the Tears of the Moon

The author says:

After waking up in a past life, Kara Walker must find the Moon Princess and prevent her murder.

Nathan says:

I have absolutely no complaints about the technical aspects. Well done.

So the setting is… sometime in the vague past?  Unless what you’ve got here is a so-far-into-prehistory-it-counts-as-fantasy setting, it’s probably going to appeal to the time-travel drama crowd (Outlander and such), but only if you give some indication of setting.  Different people are drawn to different eras, and those people need a “flag” on the cover to attract their attention, whether it’s a tartan, hieroglyphics, a toga, etc.  Otherwise, it’s a very generic cover, with a slight “magical” vibe, suitable for use with any low-intensity urban fantasy or paranormal romance.

Other comments?

Emotions Over Time

The author says:

Not too sure yet but it’s something like a coming-of-age adult drama thriller thingy, mostly the first part of what I said. I thought the people in the picture represents someone growing older in just a short while. Idk, thoughts?

Nathan says:

It sounds like it’s still a novel in process, and you’re not too sure what it’ll end up being. Aside from any problems that may present in novel-writing itself, it makes it almost impossible to put on your marketer-hat and figure out the audience you’re trying to attract — you don’t know what your product is yet.

As far as the cover image simply as a concept, I like it, although I would recommend a number of changes (change the top photo to something in color, make the three words in the title all the same size, move the interstitial byline to a single line at the bottom, and give the author a REAL name), but it’s hard to focus on the number one purpose of a cover — attracting the attention of the readers who would like the novel — before we know who those readers are, and we can only know that once we know what the novel is.