Category: Covers

Colette: Becoming a Guernsey Girl

The author says:

The story is set in 1967/8 on the island of Guernsey in the British Channel islands. Mild-mannered Colin becomes outgoing Colette. I want a cover that will ‘pop’ but you may have other ideas. It’s a 65k novel. The byline is a pen name. Genre will be LGBT but I want it to appeal to non LGBT readers, too.

Here’s the blurb I’ve written for Amazon.

When nineteen-year-old boatbuilder, Colin, is offered a new job in Guernsey, he doesn’t expect to become a girl. But he hasn’t counted on unconventional boatyard boss’ wife, Leanne. Theirs is no ordinary attraction. In encouraging Colin to become Colette and explore a new sexuality, Leanne is confronted with her own conflicted physical needs. Even in the sexually liberated sixties, falling for a woman while she’s still a man might be seen as taboo. Together the pair embark on a reckless adventure of sex, love, and rock ‘n’ roll. Then Colette falls for kindly, down-to-earth George, and both women’s lives are thrown into turmoil. Torn between George and Leanne, it takes an unexpected turn of events to force Colette’s hand.

Nathan says:

Um… raise your hands, everyone who sees “a reckless adventure of sex, love, and rock ‘n’ roll” in this cover?

Yeah, that’s what I thought.

The problem here is that the cover doesn’t convey anything about what your message and blurb emphasize as the main selling points: a transgender love/sex relationship.

I think my advice to you would be a standard recommendation to many authors whose covers don’t really reflect the selling points:  Find other successful books that you would expect to appeal to your target audience, and see how those covers convey to their target audience that this book is for them.

Adventures in the Luminiferous Aether

The author says:

Travel to exotic places, shag the natives, see death and destruction. Experience life as an international project engineer through these pages! New version of cover; which is best? The ORIGINAL is currently on Amazon.

Nathan says:

For comparison, here’s the current cover from Amazon:

I think I can say, without fear of contradiction, that the tweaks you’ve made between these covers are merely rearranging deck chairs on The Titanic.  Neither cover gives any indication of what the book is about, or what kind of reader would enjoy it — and the minimal blurb you have for it, for those few readers intrigued enough to over come their confusion and click through, doesn’t enlighten any further.

I think you need to scrap both of these and go back to the initial questions:

  • Who is the ideal target reader for this book?
  • How do I indicate to that reader that this book is for him?

Relative Age [resubmit]

The author says:

I’m considering updating the cover for Relative Age with this version. The “Quantum Fetus” wasn’t a favorite among critics so I eliminated it along with the simplistic clock, replacing it with clock-based art found on Pixabay.

Relative Age follows a group of physicists and engineers who have accidentally discovered time travel while attempting teleportation. During the first full-scale test an unexpected arrival forces them to shut down the program until the problem can be identified and corrected. A professional troubleshooter is brought in to either find the problem with The Machine or rule it out as a cause, but during his investigation he becomes far more involved in the Project than he ever imagined.

[original submission and comments here]

Nathan says:

You’ve replaced a slew of the specific problems, but I think the overarching problems are still present: It isn’t very dynamic, and doesn’t read well as a thumbnail.

I mean, mid-range purple isn’t a dynamic color, and then with the rest of the image you have… people sitting in folding chairs.  The one part of the image which might be intriguing — the guy fading away in the chamber — is so small that it’s easy to miss (plus, he’s fading away, which means he’s even harder to see, plus he blends into the purple that’s all over the place.)

I found the clock image you used on Pixabay, added the first “man with gun” image I found (it could easily be replaced with “man holding whatever instrument he uses for troubleshooting” so long as it’s dynamic), and gave the title a tilt to make it active.  Voila, the five-minute redo:

Totally crummy, but active and dynamic.

Other comments?

The Gryphon Saga

The author says:

If there is one thing that binds the cosmos, it is that only the strongest prevail. Kidnapped and genetically altered by a brutal race, human slaves are forced to fight in an alien war. Hope appears in the form of an alien underground rebellion led by mysterious beings—the Gryphon. Together they engage in a desperate battle. The human heroine, Lianndra, faces a grim reality—sometimes the only way to protect power is to use it.

Nathan says:

The first impression is that you have a pole-dancing cat-cosplayer on the cover. Probably not what you were going for.

I think a large part of the problem is also that your color scheme doesn’t suggest a “grim reality”; it’s too bright and colorful.

One way to suggest oppression is to have the image representing the more powerful antagonist looming over the smaller protagonists.  They don’t have to look like they’re actually in the same space; people are familiar enough with the visual language of movie posters to understand the meaning.  Here’s a five-minute redo to show the concept:

(Plucky freedom fighters stolen from the poster for Tomorrow When the War Began.)

Other ideas?

Regarding Tiberius

The author says:

Christian Historical Fiction set in 1st Century Roman Empire. The name listed on the cover is that of the narrator of the account, Helena Mithridates Kleopatra, who is also the main protagonist. The mask is sort of the “McGuffin” of the tale (the blood on it, however, is merely symbolic–the mask is never “bloody” in the story). I chose this design because it was simple, direct, and evocative. I made sure the typology was legible at any size. The book is nearly 200k words, so I won’t test your patience with a synopsis. These comments should be enough to go on for the purposes of critiquing the cover.

Nathan says:

Very legible, very clear.  However, I see two big problems:

  1. It says “Roman” very clearly, but doesn’t say “Christian” at all, no matter whether you mean that it’s about 1st-century Christians, or it’s aimed at Christian readers, or both.  I don’t know if there’s a simple iconographic fix which is both historically accurate and evocative to a modern audience (I don’t think the fish symbol has enough umph to do the trick); you may have to resort to a subtitle like “A Novel of First Century Christianity.”
  2. The first-person narrator’s name is all well and good, but where is your name?  Are you going to be anonymous? Is your name going to be present in the Amazon listing?  Unless you intend to be completely anonymous (which is an arguable choice), it’s your name that should be there, not the character’s. (The other problem is that the protagonist’s three-part name doesn’t immediately seem like a single name, given that “Kleopatra” seems like a first name to most modern folks — when I first saw it, I thought it was a list of three separate characters.) You might get away with “The Tale of Helena Mithridates Kleopatra, as told by XX,” but that seems like a Rube Goldbergian workaround, especially if you’re also going to use a subtitle to clarify the Christian angle.  I think you should just do without naming the protagonist on the front cover.

Other comments?