Sorry for the sparse posting here. I’ve spent the last couple of weeks deep in preparation for a comic con over this last weekend, and then the time since fighting through my stacked-up email, and putting in some extra hours on the day job. Regular posting will resume soon.
The author says:
Here’s a resubmit of my cover for Quality DNA, a genetic engineering sci-fi novel. I made a bunch of little changes that were recommended and believe it’s made the cover much stronger.
What a difference those little tweaks make! The color overlay no longer distracts from the face, and allows the eyes to really pop.
My only suggestion would be to brighten the circuit pattern background, at least at the edges of the image, leaving a dark aura around the model.
The author says:
“Breaking The Edge” is a YA-NA, chick-lit novel revolving around sport and romance. I’m trying to pull readers who like Mariana Zapata’s “The Wall of Winnipeg and Me”, and “Kulti”, having the same genre as this story is. A story about the protagonist working in a ski-lodge dealing with her exhilarating father/employer and (hilariously aloof) snowboarder. Note : I don’t know, I’m new in this, and honestly I feel like the cover isn’t really telling about the story?
Your fortune-cookie wisdom of the day: “Knowing that you don’t know what you’re doing is the first step to knowledge.” So there you go.
And remember, the primary purpose of a cover ISN’T to tell the story; there’s nothing wrong with it doing so, as long as it doesn’t interfere with the ACTUAL primary purpose, which is to attract the interest of readers who would want to read the book by signalling to them that this is the kind of book they like to read.
Actually, looking at the covers for the novels you cite, I think you hit the essentials for your genre –i.e., that it’s energetic, and that it’s sports-related. I think that the second edge you’ve put over the artwork (the one under the word “Edge”) breaks up the cover image too much; the dark lump at the bottom is unrecognizable as a foot unless one purposely studies the photo, because it’s dissociated from the rest of the person. I’d also like to see that right hand extending into the light space above “Breaking” — having both the hand and the helmeted head visible would help instant recognition of the figure as a figure.
One other thing: “Twaine Novak” isn’t the title of the novel, so “A Novel” shouldn’t be associated with it, it should go with “Breaking the Edge.”
The author says:
‘The Worst Man on Mars’ is a British Sci-Fi Comedy that’s a cross between ‘The Martian’ and ‘Red Dwarf’. It’s aimed at the same audience who enjoyed ‘Hitchhiker’s Guide to the Galaxy’. A blunt Yorkshireman and reality TV show winner has seized control of the first manned mission to Mars. He finds that the base – built by an advance party of incompetent robots – isn’t ready. Worse still, the planet isn’t as empty as first thought.
One of the rules of thumb often bandied around here is, “Would a person who knows no English understand the cover?” In this case, I’d have to say that they wouldn’t; while the orange color scheme works if if you know that the book is set on Mars, it could just as easily be a motocross novel set in Southern Utah. I think that the humor of the description really doesn’t come through, either.
Here’s what I would do:
- Replace the main title font with something either “noble” (Trajan, etc.) or computerized.
- Use actual handwritten letters for “worst.”
- Add something that looks like a Mars base in the horizon space behind the motorcycle.
- Add a gradient to the sky, so that it darkens to purple at the top, possibly with some stars showing.
(An aside: Is there enough oxygen in the Martian atmosphere that an internal combustion engine would work? Just asking.)
The author says:
“Charybda” is set in a fantasy world in a semi-medieval time period. The target audience is high school to adult, so more of a New Adult book than a Young Adult book. The main character, Nivin, is a seventeen-year-old blind girl living in a society where all physical imperfections are met with a death sentence. After she is discovered, she flees, only to stumble across mysterious portals called “Charybda” that pass between two worlds.
Were I to guess from the cover alone, I’d say that the book is maybe an urban fantasy or possibly a suspense-thriller… but mostly I just wouldn’t be able to tell. The clues as to its genre and content are too sparse.
From your description, it looks like there are two fantasy settings involved (or at least two imaginary settings). How do they differ in technology, society, etc? How could you portray that on the cover? You’ve got a natural opportunity with a human figure in the center; could the side of the portal she’s leaving be behind her, and the other side in front of her? Is one technological or urban, and the other agrarian? At the very least, could they be different (but complementary) color schemes?
If the protagonist’s blindness is a major part of the story, could you indicate that on the cover? Could she be wearing a blindfold or hood?
Even with all that, the fact that the title is a word that doesn’t have a concrete meaning for the audience is a problem. Even a subtitle like “A Saga of Two Worlds” could help immensely.
The designer says:
This is a textbook designed for students and business professionals who are entering into their first project leadership role. Chapters cover the basics of leadership and team dynamics, project fundamentals/management, stakeholder communication, and some common pitfalls to avoid. This cover should target students and early-career business professionals equally. Thanks in advance for your feedback!
The two great things about textbooks:
- They’re not impulse buys. An instructor, department head, etc. will carefully evaluate what text to use for his classes. That means that the cover doesn’t have to carry as much weight in the persuasion process.
- Selling one individual on the book means that dozens of copies just got sold!
Because of those factors, as long as a textbook cover provides a clear title and space on the back to describe its merits, the rest is gravy.
That said, what I would be tempted to do here — and this may be just me — is add some red or orange to a few of the icons on the front, just for variety and a touch of warmth.
The author says:
Impulsive young test driver of the world’s first interdimensional motorcycle, enlists the help of a terrified news-crew-intern to expose a murderous army colonel who is trying to steal the technology. Night of adventure/end of the world
My other cover. I’m having trouble picking between the two.
If this were a graphic novel, I would definitely say go with the second one. However, with a prose book that will be first seen at thumbnail size on Amazon and other sites, I think the first one has more “instant impact.”
The author says:
In 2059, every person’s DNA is recorded in the Genome Database. Even though Annette’s perfect baby girl was the product of a one night stand, she knows the database will give her the name of the sexy stranger who fathered her child. Instead, her baby’s DNA matches that of a man she’s never met who died several years ago. Irene works at the Social Department and is assigned Annette’s case. When more and more instances of births that don’t make sense and babies who shouldn’t exist cross her desk, she realizes there’s something deeper going on. Her investigation sucks her into a sinister organization with a single goal in mind. Misguided matchmaking. Deranged medical experiments. Outright terrorism. All in the name of finding one elusive thing: Quality DNA.
This is the kind of cover that relies almost entirely on its ability to interest the eyeballs and make the potential reader stop in their browsing. With that in mind, I think that the random color patterns detract and distract from the impact of the cover.
Sorry, I’m a little under the weather today, so I’ll let the rest of our cadre of helpful commenters helpfully comment.
The author says:
In 1985, a modern-day witch casts a spell on a six-year-old boy who’d been annoying her that turns him into a black cat. Ten years later, he escapes the witch and takes up with a little six-year-old girl whose guardians are sexually abusing her. Starting with her rapists, anyone who wrongs his new owner or himself is going to be severely crippled or killed in mysterious “accidents” in the years and decades to come, with no one to stop him; for who in our skeptical modern society would ever suspect a cat of being the killer?
Basically, this is an urban fantasy with more than a little psychodrama-style horror to it, as we’re given a view of events that might occur in a horror movie through the eyes of the sympathetic “monster” killing off a whole slew of rather unsympathetic victims.
Look at the books that urban fantasy readers buy. Look at the books that horror readers buy. Does your book look like either of those?
Urban fantasy books tend to have some indication (usually in the background) that the setting is present-day, and rely on color scheme and ornamentation (swirls, etc.) to indicate the presence of magic.
Horror books tend to rely on grungy textures in both image and font to flag their genre.
In contrast, your cover combines two flat image components in such a way that the cat is almost invisible at thumbnail size, and not much better at full size. The font you’ve chosen does nothing but display the letters; it doesn’t pulls its weight in telling about the book.
Just take a look here and brainstorm, “If I want my book to be bought by the people who buy these books, what do I need to do differently?”
The author says:
Mended Wings is a Young Adult novel that tells the inspirational story of a young woman’s recovery from a traumatic brain injury. Her name is Flicker, and she is a survivor. Her journey celebrates the dignity involved in making choices, and taking risks to achieve one’s goals. Readers cheer as they watch Flicker take flight.
This isn’t a bad cover, but it inspires me to use one of the running gags from LousyBookCovers.com: “Photobombing woodpecker!”
I think there are some suboptimal decisions here.
- There are definitely covers which succeed with minimal spots of color in a largely monochromatic image, but they use the color as a focal point wihin the image. Here, the upper two-thirds of the cover is monochrome — then you suddenly have color with the title and with an image element which is entirely separate, in layout and content, than the main image.
- I would suspect that very, very few potential readers will be able to identify the bird as a red-shafted Northern Flicker (I had to google it), and without knowing that the bird is a flicker, the subtitle “A Flicker’s Tale” will make no sense — especially if they have read your description. It will seems as nonsensical as “A William’s Tale.”
- Not as big a problem, but I think that the subtitle font clashes with the title and byline font; not similar enough to complement, but not a good contrast either.
So my main recommendation would be to work both the bird imagery and the spare use of color into the main body of the layout, instead of having them confined to one area as an afterthought.